logo kopfgrafik links adresse mitte kopfgrafik rechts
   
Facebook Literaturhaus Wien Instagram Literaturhaus Wien

FÖRDERGEBER

Bundeskanzleramt

Wien Kultur

PARTNER/INNEN

Netzwerk Literaturhaeuser

mitSprache

arte Kulturpartner

traduki

Incentives

Bindewerk

kopfgrafik mitte

Hanno Millesi: Der Charme der langen Wege.

de     en     fr     es     sr

The Charm of the Long Road.
Novel.
Vienna: Edition Atelier, 2021.
192 pages; Euro 20,-.
ISBN: 978-3-99065-057-8.

Hanno Millesi

Excerpt

Lambert is a retired Foley artist, someone whose craft is to imitate or even invent sounds for films. For example, crushing sheets of Styrofoam sound like a breaking spine. When used correctly, a flip-flop can sound like the propulsion of a spacecraft. Lambert’s world consists of noises: it is only real for him when he hears it – therefore, the loss of his hearing plunges him into an existential crisis. But it soon becomes apparent that Lambert’s perception of reality deviates from that of those around him; because he focuses on his auditory sense, things are simply "different" for him.
The novel is prefaced by the motto "But he heard something we did not hear," a standard quote from Don Quixote. Lambert is also a quixotic figure, a knight of sad countenance, dislocated in time, in hot pursuit of disappearing magic. As with Cervantes, this idea involves bitter comedy in Millesi’s work as well. Lambert and Don Quixote are people left over after the world has become disenchanted. If in Don Quixote the romance of chivalry and its ideals has lost its validity, but is kept alive by the protagonist in his own way, for Lambert it is the domain of producing manual sound effects and the associated power of imagination that lives on in him.
The technique of making sounds, in contrast to rational computerization, entails a world full of magic, surprise, and wonder, even if only for Lambert himself. Hanno Millesi creates an outsider’s portrait that views its subject with great sympathy and precise observations. He finds a language that does justice to its protagonist in its complexity and ramifications. Millesi provides readers access to a realm that functions "differently" than ours, in which baking a cake can sometimes turn out to be a suitable soundtrack for a collapsing bridge.

Abridged version of the review by Johanna Lenhart, 27 September 2021.
Translation by Ida Cerne.

>> Incentives

Link zur Druckansicht
Veranstaltungen
edition exil entdeckt – Zarah Weiss blasse tage (edition exil, 2022) Ganna Gnedkova & Ana Drezga

Fr, 04.11.2022, 19.00 Uhr Neuerscheinungen Herbst 2022 mit Buchpremiere | unveröffentlichte Texte...

"Im Westen viel Neues" mit Kadisha Belfiore | Nadine Kegele | Tobias March | Amos Postner | Maya Rinderer

Mo, 07.11.2022, 19.00 Uhr Lesungen, Film & Musik Die Reihe "Im Westen viel Neues" stellt...

Ausstellung
"Ah! THOMAS BERNHARD. Den kenn ich. – Schreibt der jetzt für Sie?"
Nicolas Mahler zeichnet Artmann, Bernhard, Jelinek, Musil & Joyce

17.09. bis 14.12.2022 Er ist der erste, der im renommierten deutschen Literaturverlag Suhrkamp...

Tipp
OUT NOW : flugschrift Nr. 40 - Valerie Fritsch

gebt mir ein meer ohne ufer Nr. 40 der Reihe flugschrift - Literatur als Kunstform und Theorie...

INCENTIVES - AUSTRIAN LITERATURE IN TRANSLATION

Buchtipps zu Kaska Bryla, Doron Rabinovici und Sabine Scholl auf Deutsch, Englisch, Französisch,...