Naomi Novik is the acclaimed author of the Temeraire series and the Nebula-winning novel Uprooted, a fantasy influenced by the Polish fairy tales of her childhood. She is a founder of the Organization for Transformative Works and the Archive of Our Own. She lives in New York City with her family and six computers. -- Dieser Text bezieht sich auf eine andere Ausgabe: hardcover.

Cool and clever and warm and satisfying and dire and wonderful; I loved this book so much

A book as cool and mysterious as a winter’s night, with two marvelous heroines at its heart. Spinning Silver pits the cold of endless winter against the fires of duty, love and sacrifice. I couldn’t put it down

Dauntless women, cruel lords and wayward fairies come together in a beautifully realised world. Brimming over with fairy-tale magic, SPINNING SILVER proves Naomi Novik to be a master fantasist at the top of her game

Lovely, intricate and strong. A gorgeous read. The sort of book one reads again and again

Enchanting, in every sense of that fine old word. A charming and inviting story that looks unflinchingly at the strangling roots of hurt and revenge

I didn't know how much I wanted to read a book like this until it was already in my hands. Uprooted has everything I love about Novik's writing style, with the added bonus of some old world magic and the flavor of a dark faerie story

The magic in Uprooted, with its realistic moral dimension, is so vividly believable that it almost seems you could work the spells. But the book will do that for you

Uprooted has everything I love: a great heroine, new takes on old myths and legends, and surprising twists and turns. A delight

This gorgeous, complex, and magical novel...rises well above a mere modern re-imagining of classic tales…Novik probes the edges between the everyday and the extraordinary, balancing moods of wonder and of inevitability. Her work inspires deep musings about love, wealth, and commitment, and embodies the best of the timeless fairy-tale aesthetic…This is the kind of book that one might wish to inhabit forever

A remarkable achievement... Confirms a huge step forward for Novik -- Dieser Text bezieht sich auf eine andere Ausgabe: hardcover.

Spinning Silver is a an extraordinary, magical novel with a fairy-tale feel, inspired by traditional folklore. Two women must overcome incredible challenges to follow their dreams and save those they love. From Naomi Novik, author of the award-winning Uprooted. -- Dieser Text bezieht sich auf eine andere Ausgabe: kindle_edition.

��hapter 1

The real story isn’t half as pretty as the one you’ve heard. The real story is, the miller’s daughter with her long golden hair wants to catch a lord, a prince, a rich man’s son, so she goes to the moneylender and borrows for a ring and a necklace and decks herself out for the festival. And she’s beautiful enough, so the lord, the prince, the rich man’s son notices her, and dances with her, and tumbles her in a quiet hayloft when the dancing is over, and afterwards he goes home and marries the rich woman his family has picked out for him. Then the miller’s despoiled daughter tells everyone that the moneylender’s in league with the devil, and the village runs him out or maybe even stones him, so at least she gets to keep the jewels for a dowry, and the blacksmith marries her before that firstborn child comes along a little early.

Because that’s what the story’s really about: getting out of paying your debts. That’s not how they tell it, but I knew. My father was a moneylender, you see.

He wasn’t very good at it. If someone didn’t pay him back on time, he never so much as mentioned it to them. Only if our cupboards were really bare, or our shoes were falling off our feet, and my mother spoke quietly with him after I was in bed, then he’d go, unhappy, and knock on a few doors, and make it sound like an apology when he asked for some of what they owed. And if there was money in the house and someone asked to borrow, he hated to say no, even if we didn’t really have enough ourselves. So all his money, most of which had been my mother’s money, her dowry, stayed in other people’s houses. And everyone else liked it that way, even though they knew they ought to be ashamed of themselves, so they told the story often, even or especially when I could hear it.

My mother’s father was a moneylender, too, but he was a very good one. He lived in Vysnia, forty miles away by the pitted old trading road that dragged from village to village like a string full of small dirty knots. Mama often took me on visits, when she could afford a few pennies to pay someone to let us ride along at the back of a peddler’s cart or a sledge, five or six changes along the way. Sometimes we caught glimpses of the other road through the trees, the one that belonged to the Staryk, gleaming like the top of the river in winter when the snow had blown clear. “Don’t look, Miryem,” my mother would tell me, but I always kept watching it out of the corner of my eye, hoping to keep it near, because it meant a quicker journey: whoever was driving the cart would slap the horses and hurry them up until it vanished again.

One time, we heard the hooves behind us as they came off their road, a sound like ice cracking, and the driver beat the horses quick to get the cart behind a tree, and we all huddled there in the well of the wagon among the sacks, my mother’s arm wrapped around my head, holding it down so I couldn’t be tempted to take a look. They rode past us and did not stop. It was a poor peddler’s cart, covered in dull tin pots, and Staryk knights only ever came riding for gold. The hooves went jangling past, and a knife-­wind blew over us, so when I sat up the end of my thin braid was frosted white, and all of my mother’s sleeve where it wrapped around me, and our backs. But the frost faded, and as soon as it was gone, the peddler said to my mother, “Well, that’s enough of a rest, isn’t it,” as if he didn’t remember why we had stopped.

“Yes,” my mother said, nodding, as if she didn’t remember either, and he got back up onto the driver’s seat and clucked to the horses and set us going again. I was young enough to remember it afterwards a little, and not old enough to care about the Staryk as much as about the ordinary cold biting through my clothes, and my pinched stomach. I didn’t want to say anything that might make the cart stop again, impatient to get to the city and my grandfather’s house.

My grandmother would always have a new dress for me, plain and dull brown but warm and well-­made, and each winter a pair of new leather shoes that didn’t pinch my feet and weren’t patched and cracked around the edges. She would feed me to bursting three times every day, and the last night before we left she would always make cheesecake, her cheesecake, which was baked golden on the outside and thick and white and crumbly inside and tasted just a little bit of apples, and she would make decorations with sweet golden raisins on the top. After I had slowly and lingeringly eaten every last bite of a slice wider than the palm of my hand, they would put me to bed upstairs, in the big cozy bedroom where my mother and her sisters had slept as girls, in the same narrow wooden bed carved with doves. My mother would sit next to her mother by the fireplace, and put her head on her shoulder. They wouldn’t speak, but when I was a little older and didn’t fall asleep right away, I would see in the firelight glow that both of them had a little wet track of tears down their faces.

We could have stayed. There was room in my grandfather’s house, and welcome for us. But we always went home, because we loved my father. He was terrible with money, but he was endlessly warm and gentle, and he tried to make up for his failings: he spent nearly all of every day out in the cold woods hunting for food and firewood, and when he was indoors there was nothing he wouldn’t do to help my mother. No talk of woman’s work in my house, and when we did go hungry, he went hungriest, and snuck food from his plate to ours. When he sat by the fire in the evenings, his hands were always working, whittling some new little toy for me or something for my mother, a decoration on a chair or a wooden spoon.

But winter was always long and bitter, and every year I was old enough to remember was worse than the one before. Our town was unwalled and half nameless; some people said it was called Pakel, for being near the road, and those who didn’t like that, because it reminded them of being near the Staryk road, would shout them down and say it was called Pavys, for being near the river, but no one bothered to put it on a map, so no decision was ever made. When we spoke, we all only called it town. It was welcome to travelers, a third of the way between Vysnia and Minask, and a small river crossed the road running from east to west. Many farmers brought their goods by boat, so our market day was busy. But that was the limit of our importance. No lord concerned himself very much with us, and the tsar in Koron not at all. I could not have told you whom the tax collector worked for until on one visit to my grandfather’s house I learned accidentally that the Duke of Vysnia was angry because the receipts from our town had been creeping steadily down year to year. The cold kept stealing out of the woods earlier and earlier, eating at our crops.

And the year I turned sixteen, the Staryk came, too, during what should have been the last week of autumn, before the late barley was all the way in. They had always come raiding for gold, once in a while; people told stories of half-­remembered glimpses, and the dead they left behind. But over the last seven years, as the winters worsened, they had grown more rapacious. There were still a few leaves clinging to the trees when they rode off their road and onto ours, and they went only ten miles past our village to the rich monastery down the road, and there they killed a dozen of the monks and stole the golden candlesticks, and the golden cup, and all the icons painted in gilt, and carried away that golden treasure to whatever kingdom lay at the... -- Dieser Text bezieht sich auf eine andere Ausgabe: kindle_edition.