PULP CULTURE

HARDBOILED FICTION AND THE COLD WAR

Forget the snappy but misleading title: Haut focuses on the paperback originals that took the place of pulp magazines in the period from 1945 to 1963. Contending that hardboiled fiction has rarely been taken seriously by literary criticism ``precisely because it is a class-based literature,'' Haut wants to establish the newly fashionable political credentials of hardboiled writers who, considering American society to be inherently criminal, focus on ``capitalism's relationship to crime, corruption, desire and power.'' Hence the darkness of noir fiction echoes the dark underside of the fractured American '50s. Haut, an American journalist living in London, is not especially original about Raymond Chandler, Chester Himes, Ross Macdonald, Jim Thompson, or Mickey Spillane, all of whom have been put through these paces before. He's much more revealing when he discusses more neglected writers like Leigh Brackett, Dolores Hitchens, and Dorothy B. Hughes (all of whom managed to create complex heroines ``within a culture intent on rendering them powerless''); William McGivern, Gil Brewer, and Lionel White (whose underworld novels mask critiques of the dominant social order); Charles Williams and Charles Willeford (whose later novels subvert the false optimism of the emerging '60s, when pulp fiction would be overtaken by the real-life nightmare of current events). Even here, however, Haut too often strains to pair key novels with irrelevant historical events (McGivern's Odds Against Tomorrow appeared the same year Sputnik was launched) and presses extended plot summaries into service to support historical generalizations as wordy and dubious as anything in the academic criticism he lambastes. Surprisingly, Haut makes a sounder case for pulp fiction's political analysis of American culture than for its central importance to that culture.

Pub Date: April 1, 1996

ISBN: 1-85242-319-6

Page Count: 230

Publisher: Serpent’s Tail

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1996

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MARTIN LUTHER KING, JR. AND THE MARCH ON WASHINGTON

This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)

Pub Date: Jan. 1, 2001

ISBN: 0-448-42421-5

Page Count: 48

Publisher: Grosset & Dunlap

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2000

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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