IIIII

shifting the perspective
disputable topic no. III
edifice of classical art for
soviet aesthetics (no event
garde aesthetics accepted) so how
to evacuate classical a
static hostility to modern
(add in fizz as final spurt
of) hedge, hag, hack -- hegemon
/eI/ generating truths &
sensuous meaning notions
as better transmitter of
truth : commodity : art after
philosophy / 's no shoe

aesthetic aspiration : sense
dual consciousness of
truth : aesthetic headache
essential for Realism to resign
nation no. I : trying to bond
with the real -- entity of re/
ejection : human resignation
(ink jet this insinuation to
my attention) stylistic in/
novation no. I : theorization
‘art cannot de-alienate
reality’ -- neither be vigilant
against negative co/
notation something already worn
out, no art -

never refers to itself : no. I
axiom of Realism : matrix
of reflection : alienate the
alienation (old shoe) me/
a sure mimesis, that is
the real ethics of narrative
‘the more extrinsic art
gets from art the more
realistic it is’ -- axiom no.
II : expression : the
separation of ethics
and avantgarde modernists
's arrogance : driving per-
version beyond perversion

axiom no. I, II and III : alien
ate the alienation : awe
other other other other
other other other other
other other other other
other Other other other
other other other other
other other ether o the
ear : theater : extreme
engineering of advant-
guard over gap between
idea of implementation &
self-resignation : if people
engineer, they contain
loneliness /

make it speak
through you : axiom no.
IIII : loosen your IAGO
the person which -- in
dealing with the real
sensuously -- thinks
affectively remains
modest -- axiom no.
thank you