Im
on the Swiss Intercity from Zürich to Geneva and
have just left my husband back in Vienna. I just walked away. And I
cried, as I know he will when he finds my note on the dining room table:
We dont see things with the same eyes.
I
slept surprisingly well on the night train, but this is the day route
and grey hills roll down from the mountains. We will soon be in Berne
and then only a couple of hours to Geneva where I must start all over
again.
Green
swirls from the landscape against the grey of the sky and my eyes slowly
close.
Stop!
Sit here, a womans voice says.
I
open my eyes. We have just left Berne. Bright red, black and gold bustle
in the doorway as a woman steers a young boy before her, one arm outstretched,
the other dragging a suitcase. She stops in the seat in front of mine.
The boy must have taken a seat by the window. From her manner, as she
peels off her cropped red leather jacket, it must be one facing the
wrong way. I have always hated travelling with my back to my destination.
The
child does not make a sound. The woman pulls off her soft black hat
and black hair springs from the grasp of now loosened hairpins. Her
fingers tuck back the stray hairs as she turns about and scans the compartment.
Her underwear glows through her white nylon blouse with its frilled
collar and cuffs. She sits down.
I
feel exhausted. Smoke rises from the seat in front of me first
in almost perfect rings, then in slow jets, the sort that might come
from the nostrils of an ageing dragon. My eyes close again.
Watch
it! Youre going to sit on my son, the womans voice
shrieks.
I
open my eyes. We are leaving Lausanne. A man in his late forties, early
fifties, large in a soft sort of way, towers in the space in front of
my seat. He reminds me of my husband.
Im
sorry, he says.
You
should watch what youre doing. My boy has problems with his eyes.
Sorry,
the man says again and sits down on the seat across the aisle, directly
in my line of vision. He looks back to the seat he just tried to sit
in, then over at the woman, across at the boy.
Why
are you staring at me like that? the woman says.
Pardon?
Why
are you staring?
There
is a pause.
Hush,
dear. (This to her son.) Maman is here. And then to
the man again: Well, whats wrong with you?
The
man smiles and his eyes look towards me. I am blind, he
says.
Completely?
Yes,
he says and laughs.
But
you were looking at me. Where is your cane?
The
man raises his hand and a cane telescopes from his sleeve.
Thats
splendid, the woman says. Then there is hope for my son.
Didnt
you notice?
No,
she says. I thought you were trying to pick me up.
He
laughs.
I
thought you were trying to pick me up.
I
was, said my husband. And I did, didnt I?
We
laughed about our first meeting when hed tripped and fallen into
my arms in the café in Vienna where I used to breakfast. The
account of the incident became an ice breaker at dinner parties during
the first years of our twenty year marriage. Then, I was well
loved, alive and living in Vienna.
Whats
your name? the woman asks.
Beau.
Well,
then. Hi! Im Belle.
The
mans eyes droop, but he laughs again, and strokes a palm over
his thinning scalp. He isnt handsome, but there is something warm,
trustworthy about him. Just like my husband, way back. Way back when.
I
dont know when things changed, when I stopped trusting my husband,
when he stopped trusting me. Its a little like what they say about
pregnant women, or about people in love. When that state is yours then
you see it in others. But there are times when you dont want to
see. Im no longer sure which of us cheated first, or if in fact
we cheated at all. Neglect is something that just creeps in and only
later cries out for justification.
The
ticket collector comes into the compartment and the man holds out his
pass.
He
is blind, the woman says. But he sees everything.
The blind man smiles.
The
woman leans forward and says in a loud whisper: Are you sure you
cant see?
No.
I cant see.
Why
are you looking at me like that if you cant see? She sits
back.
Your
voice, he says.
My
son, Billy, goes to school in Berne. I do this trip weekly Berne
Geneva Berne.
The
boys arm reaches across and holds out a toy donkey. The man squeezes
it and it makes a noise. Eee Aaa.
Do
you work? the woman says.
Im
a clerk. I stamp papers.
How
do you know what to stamp?
I
can feel. Ive been doing it for years. Its all based on
trust. In yourself. In others.
She
laughs. And there I was thinking you wanted to pick me up.
The
man takes out a cigarette, feels it to his lips and the woman lights
it with a red lighter. Then she light her own cigarette. They both smoke.
Can
I have your phone number? she says. The man fumbles in the pocket
of his jacket and gives her a card. At work, he says.
You
are so well dressed, the woman says. Your life. It gives
me hope for my son. She says to the boy: Go and sit with
the man.
The
boy does not move. I hear shuffling. He wont, she
says. His mother is everything. She laughs and draws on
her cigarette.
Can
I give you my phone number?
Please
write it down. She scribbles and hands him an orange slip of paper.
The man puts it in his pocket.
Are
you married? she says. T
he
man shakes his head. But I have help. The essential things.
And
your work? You are very clean. Do you dress yourself?
I
follow advice I am given. Its easier with someone there. Mornings
are fine. If I feel theres a spot or if someone notices and tells
me, and if I have time, I change.
She
sighs. You are so clean. Then she stubs out her cigarette.
My son cannot dress himself.
Thats
because he is always supervised.
Yes.
He is at school all week. He comes home weekends. I go to fetch him.
Like today. She stops and says: The children dont
always understand. Billy is happy, but doesnt notice when the
children tease him.
Then
there is a pause in their conversation. I lean back and think about
what they have said. I think about the way they talked, too. Direct.
Innocent. Saying what they thought.
My
husband and I talked like that once. Then we began to talk in riddles,
assuming the years had allowed us to read each others minds. Perhaps
neither of us had really read what had been there.
Then
as if out of nowhere, I again hear the womans voice: Billy
says how wonderful life is. Every morning he says that. Dont you
Billy?
There
is no answer.
Do
you have to pay on the train?
When
Im alone, the man says. When someone is with me, they
dont pay.
Same
here. I travel free, she says. But not on the plane.
Billy
is fidgeting. I cannot see.
Stop
that, she says. Billy, stop it! Then she is calm.
He
likes music, you know.
Does
he play?
The
piano? No. He sings. Sing Billy.
No,
says the boy.
The
man looks at me. I wonder if he sees me watching.
What
do you see? the woman says. Do you see black? What did you
see at the beginning? Now?
Nothing,
says the man. Its been too long ago. People only see black
when they remember. I have nothing to remember, so I see nothing.
I wonder what nothing looks like.
The
train pulls in to Genevas main station. The man unfolds his white
cane and gets his bag down from the rack. Then he makes his way to the
door and steps down. He says nothing. Does not wave.
Goodbye,
says the woman. The man doesnt answer.
One
more stop to go until the airport. I settle back and think of my husband
finding my note. Billy, what do you see? the woman suddenly
says to the boy.
People.
What?
People.
How
many?
Lots,
the boy says and then starts to sing.
The
train pulls into the station. The woman puts on her red leather jacket
and tugs the brim of her hat deep over her eyes. As we reach for our
bags up on the rack our hands touch. The woman turns her head. My
son is blind, she says. He cannot help me.
I
hoist my bag down and, stopping to catch my breath, I watch the woman
urge her son from the train. I step down to the platform and my vision
blurs.
Published
in Offshoots
VI Writing from Geneva