iTunes

Opening the iTunes Store.If iTunes doesn't open, click the iTunes application icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Get the Picture? by The Pretty Things, download iTunes now.

Already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Get the Picture?

Open iTunes to preview, buy, and download music.

Editors’ Notes

The Pretty Things’ 1965 sophomore album showed remarkable growth from their throttled garage-rock takes on American R&B to pre-psychedelic freakbeat innovations. But it was wildman drummer Viv Prince who shone brightest on Get the Picture?. Rock lore has it that before a young Keith Moon came into his own style with The Who, he'd stand near the stage during The Pretty Things’ early shows and study Prince’s frenetic and unhinged drum stylings. You can hear this right from the second song, “Buzz the Jerk,” where Prince releases bombastic bursts of rhythmic temper tantrums in between Dick Taylor’s distorted blues leads and John Stax’s driving bass runs. Though The Pretty Things were exploring territory uncharted by their peers, you can still hear salient influences throughout—the sneering title track sounds highly inspired by Jerry Lee Lewis’ disturbing “It’ll Be Me," save for singer Phil May’s cool mod approach on the vocals. The Stonesy “Rainin’ in My Heart” serves as a reminder that Taylor was an original Rolling Stone, while the bonus cut “L.S.D.” hints at forthcoming psychedelia.

Biography

Formed: 1963 in Kent, England

Genre: Rock

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

The Pretty Things were the also-rans of the British Invasion, a band that never got its due. Despite this lack of recognition, they were never quite ignored, cultivating a passionate cult that stuck with them through the decades — a cult that was drawn to either their vicious early records, where they sometimes seemed like a meaner version of the Rolling Stones, or to their 1968 psychedelic masterwork S.F. Sorrow. Some of their fans advocate for the entirety of their catalog, noting how the...
Full Bio