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Ty Segall

Ty Segall

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iTunes Editors’ Notes

From the opening onslaught of “Go Home,” it’s easy to understand why Ty Segall’s eponymous debut was released on John Dwyer’s Castle Face Records. Much like Dwyer’s band Thee Oh Sees, Segall has a penchant for playing awesomely dirty and stripped-down garage rock trimmed with distorted pawn-shop guitars plugged into the prerequisite vintage Silvertone tube amp while crooning vocal takes recorded so lo-fi that they’re almost no-fi. Segall’s recordings play with a raw and primitive brilliance that allows him to birth tunes that somehow sound simultaneously timeless and new, much like the late great Jay Reatard. “Pretty Baby (You’re So Ugly)” bursts through the garage door with the kind of hyper-active rock ‘n’ roll temper tantrums associated with early Little Richard performances – Segall’s live one-man-band act has him strumming his guitar with reckless abandon while stomping on a kick drum and tambourine configuration. “Oh Mary” perfectly reflects this bare-bones approach; turn up the volume, close your eyes and you’re practically there in the crowd.

Customer Reviews

@Jordan Burgand

Have you heard of low fidelity music? OMG IT'S GUNNA BREAK MAH SPEAKERS HOOOOLY BAGS OF JESUS!!!
This album is quite good. It's good enough to break your speakers to.

Fan-Freak

Great Album

horrible mastered

If you have great monitors I suggest not playing this music through them you will blow the voice coils in them. Play them through your headphones so you don't break your expensive monitors.

Biography

Born: June 8, 1987 in Laguna Beach, CA

Genre: Alternative

Years Active: '00s, '10s

Lo-fi musician Ty Segall first garnered public acclaim as the lead singer of Orange County, California garage rock revivalists the Epsilons. With that band, he practiced a rawer, snottier take on Strokes/Vines/White Stripes-style rock, occasionally delving into more retro territory. On his solo album Lemons, however, Segall delivered a much more traditional sound, studiously re-creating '60s guitar tones and drenching his tracks in old-school reverb. The stomping results bore a striking resemblance...
Full Bio
Ty Segall, Ty Segall
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