iTunes

Opening the iTunes Store.If iTunes doesn't open, click the iTunes application icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Odyshape by The Raincoats, download iTunes now.

Already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Odyshape

The Raincoats

Open iTunes to preview, buy, and download music.

iTunes Editors’ Notes

The second album by England’s Raincoats was a more dissonant, abstract affair than their charming and abrasive debut. There's more clatter, more loose-jointedness and atonal singing, more envelope-pushing. Original drummer Palmolive had left the band and new percussionist Ingrid Weiss came on board; guests like Robert Wyatt and This Heat's Charles Hayward also contributed their own unique brands of drumming. In addition to the guitar and violin sounds of their debut, the core members (Ana da Silva, Gina Birch, and Vicky Aspinall) now added cello, bowed bass, African balophone, clavinet, and other exotic flavors to their female-powered, folk-punk style, giving it a distinctly experimental and skewed orchestral texture. The record also palpitates with a rich emotional center. Originally issued in 1981, Odyshape has enjoyed several rebirths. It’s the kind of record that will always have a place in the punk pantheon as an important, influential collection of music that was out of step with its original time; now it has a legacy that only continues to grow.

Biography

Formed: 1977 in London, England

Genre: Alternative

Years Active: '70s, '80s, '90s, '00s, '10s

One of the more unusual bands to rise from the British punk explosion of the 1970s, the Raincoats were post-punk before punk's first act had fully played out; they had little interest in the speed or velocity of the Clash or the Sex Pistols, instead embracing a more open and dynamic approach which incorporated purposefully chaotic arrangements that made the members' lack of instrumental experience a virtue rather than a drawback. They also occasionally employed acoustic instruments (particularly...
Full Bio